ARNOLD J. KEMP
For the last 30 years, American/Bahamian artist Arnold J. Kemp has committed his practice to the politics of conceptual art. Kemp’s work considers how histories of Black survival might be utterly fragile, necessitating interdependency and mutual aid, and requiring a queer poetics of touch in order to take shape. A multi-hyphenate artist, Kemp’s experiments in art making take the form of talks, performances, publications, plays, painting, and sculpture. Engaging ideas about the permeability of the border between self and the materials of culture, Kemp’s art holds potential to spur new thinking about the requirements of creativity in a world where all bodies need to engage creatively every single day.
Kemp’s works are in the collections of the Metropolitan Museum of Art, the Studio Museum in Harlem, the Berkeley Art Museum and Pacific Film Archive, the Portland Art Museum, the Schneider Museum of Art, the Tacoma Art Museum, The Manetti Shrem Museum of Art, and the Hammer Art Museum. He has received awards from the John Simon Guggenheim Foundation, Ellis-Beauregard Foundation, the Joan Mitchell Foundation, the Pollock- Krasner Foundation, and Portland Institute for Contemporary Art, and an Andy Warhol Foundation Arts Writers Grant in 2021. In addition, Kemp’s writing has appeared in Artforum,October, Art Journal, Texte zur Kunst, Callaloo, Agni Review, MIRAGE #4 Period(ical), River Styx, Nocturnes, Tripwire, Three Rivers Poetry Journal, and in From Our Hearts to Yours: New Narrative as Contemporary Practice.
Arnold J. Kemp (American/Bahamian, b. 1968 in Boston) lives and works in Chicago. Recent exhibitions of the artist’s work include TO WHOM KEEPS A RECORD (2024) at the Center for Maine Contemporary Art in Rockland, ME, ARNOLD J. KEMP: THREE PLAYS (2024) at Human Resources in Los Angeles, STAGE (2023) at Martos Gallery in New York, Less Like an Object and More Like the Weather (2022) at the Neubauer Collegium at the University of Chicago, FALSE HYDRAS (2021) at JOAN in Los Angeles and I COULD SURVIVE, I WOULD SURVIVE, I SHOULD SURVIVE (2021) at Manetti Shrem Art Museum at the University of California at Davis.
EXHIBITIONS
April 13 - May 24th, 2024
2024 Group Exhibition
March 12th - April 30th, 2022
Talking To The Sun
March 6th - April 17th 2021
SELECT EXHIBTIONS
First Comes Dark Notes
Coulter Art Gallery at Stanford University
October 1st - December 6th, 2024
To Whom Keeps a Record
Center for Maine Contemporary Art, Rockland
May 25th - September 8th, 2024
STAGE
Martos Gallery, New York
November 3 – Saturday, January 14, 2023
Less Like an Object and More Like the Weather
The Neubauer Collegium at the University of Chicago
February 17th - April 10th, 2022
I Would Survive, I Could Survive, I Should Survive
Manetti Shrem Museum of Art at the University of California at Davis
June 3rd - November 12th, 2021
PUBLICATIONS

Spanking Bench, 2016
plywood, leather, vinyl, books, steel hardware
52 x 34 x 28 in. (132.08 x 86.36 x 71.12 cm)
AKE0057

PLAYED TWICE, 2016
Type c-print, mounted on aluminum
36 x 30 in. (91.44 x 76.2 cm)
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Untitled (Ra), 2024
welded steel, oil paint, bamboo, coconut shell, string, lemon peel
46.5 x 12 x 25.75 in. (118.11 x 30.48 x 65.41 cm)
AKE0086

Untitled (Plan for Escape), 2024
glazed ceramic and galvanized steel
12 x 12 x 8 in. (30.48 x 30.48 x 20.32 cm)
AKE0070

Untitled (Slip), 2024
glazed and unglazed ceramic
16 x 16 x 8 in. (40.64 x 40.64 x 20.32 cm)
AKE0077

Untitled (3 Part Sculpture), 2024
glazed ceramic
11.5 x 17.5 x .75 in. (29.21 x 44.45 x 1.91 cm)
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Pothole² (2024) curated by Cameron Spratley and Ron Ewart at Rainbo Club, Chicago.

Talking To The Sun But Backwards, 2022
69 x 69 in (175.3 x 175.3 cm)
#AJK1513

Talking To The Sun, M. LeBlanc, Chicago IL, 2022

March 6th - April 17th 2021, M. LeBlanc, Chicago IL, 2021

Slow Season Ritual Drawing, 2016
photocopy on paper embellished with artist made watercolor
11 x 8½ in (27.94 x 21.59 cm)
AJK1477

Beneath This Well Hides Another Well, 2021
tempered glass, oil paint, coconut, bamboo, and string
44 x 30.5 x 6.5 in (111.76 x 77.47 x 16.51 cm)
#AJK1474

Reverse Vacation, 2018
unique digital print from color slide in custom frame
32½ x 23¾ in. (82.55 x 60.33 cm)
AKE0056