Mark Verabioff

Born in Kingston, Ontario, Canada, 1963

Lives and works in Los Angeles, CA

Education:

Nova Scotia College of Art and Design, Halifax, Canada

The Banff Centre for the Arts, Banff, Canada




Solo Exhibitions, Performances and Screenings:


2020

M. LeBlanc, Chicago, IL, FORSAKEN STATES


2019

team (bungalow), Los Angeles, CA, Poolside Drive-by

M. LeBlanc, Chicago, IL, Mark Verabioff: Seminal Videotapes 1984-1992

Art Cologne, Cologne, DE, abercrombie AF (under the auspice of M. LeBlanc, Chicago, IL)


2018

team (gallery, inc), New York, NY, TEARS


2017

The Pit, Los Angeles, CA, Civil Piss War

2016

Private Places, Portland, OR, Fascist/Gerd/Private

2014

356 S. Mission Rd., Los Angeles, CA, Mark Verabioff: Seminal Videotapes 1984-1992
(organized by Laura Owens)

2013

Night Gallery, Los Angeles, CA, BREAKDOWN

2012

Night Gallery, Los Angeles, CA, CRACK ATTACK

Artist Curated Projects (ACP), Los Angeles, CA, Mark Verabioff: Page Tears

2010

LAND (Los Angeles Nomadic Division), Los Angeles, CA, Secret Spill: 2010

DAN GRAHAM, Los Angeles, CA, mark verabioff abled woman train wreck hard fuck hairy la

2009

Eighth Veil, Los Angeles, CA, OUTWARD MODEL (performance with Flora Wiegmann)

Contemporary Arts Forum, Santa Barbara, CA, Forum Lounge: Mark Verabioff (performance
with Flora Wiegmann)

2008

Angstrom Gallery, Los Angeles, CA, OVERAWE

2007

Mandrake, Los Angeles, CA, mark verabioff oinks faculty insurgent phyllis allen 570-6 for model
pleasure III

2002

Clifford Smith Gallery, Boston, MA, mark verabioff helen keller and another abled woman

2000

San Francisco Museum of Modern Art, San Francisco, CA, DART-ACTION-INSURGENCY

1997

Knitting Factory Video Lounge, New York, NY, Mark Verabioff: Selected Works

1995

The LURE, New York, NY, porkvideostall

1992

Video In, Vancouver, Canada, Wantfull Judgement

1985

Anna Leonowens Gallery, Halifax, Canada, de-constructing sexual spectacle quality control
performance desire of SKIN




Two-Person Exhibitions, Performances:

2019

team (bungalow), Los Angeles, CA, BURY THE BODY: Amanda Ross-Ho, Mark Verabioff


2015

Ditch Projects, Springfield, OR, UNZIPPED: Mark Verabioff, Bobbi Woods




Selected Group Exhibitions, Performances and Screenings:

2021

O-Town House, Los Angeles, CA, Pathologically Social (curated by Mark Verabioff and Scott Cameron Weaver) (upcoming)

2020

Wil Aballe Art Projects/Stephen Bulger Gallery, Vancouver/Toronto, Canada, Quid Tum? (What
Next?)
(forthcoming Oct 28 - Nov 8)

de boer gallery, Los Angeles, CA, THE SPREAD

www.Passing-Time.org (organized by Neville Wakefield)

QUEENS LA, Los Angeles, CA, Disposable Boyfriends

www.epoch.gallery, Afterlife

Fierman, New York, NY, Circus of Books: BLOWOUT

M. LeBlanc, Chicago, IL, 2020

2019

Anonymous Gallery, 18 Rue Dussoubs, 75002 Paris, France, 100 Sculptures

team (gallery, inc), New York, NY, Scenes of the American Landscape

Fierman, New York, NY, Circus of Books

The Pit, Los Angeles, CA, Flat Files Show

2018

Roberts Projects, Los Angeles, CA, Tragedy Plus Time

M. Leblanc, Chicago, IL, Annunciations: Michel Auder, Darja Bajagić, Rosalind Nashashibi,
Mark Verabioff

2016

Hammer Museum, Los Angeles, CA, Made In L.A. 2016: a, the, though, only (curated by Aram
Moshayedi, Hamza Walker)

Arturo Bandini, Los Angeles, CA, Brancusi 2.0

LAND (Los Angeles Nomadic Division), Los Angeles, CA, Rob Pruitt’s Flea Market

Phil Gallery, Los Angeles, CA, GERD (The Failed Promise of Enigma)

2015

Arturo Bandini, Los Angeles, CA, Tomb Raider

2014

Martos Gallery, New York, NY, Another, Once Again, Many Times More (curated by Walead
Beshty, Kelley Walker)

356 S. Mission Rd., Los Angeles, CA, Another Cats Show (organized by Laura Owens)


2012

J. Paul Getty Museum, Los Angeles, CA, Pacific Standard Time Performance Art and Public Art
Festival: Blackbox
(invited by Liz Glynn)

Night Gallery, Los Angeles, CA, Spare Me

Charlie James Gallery, Los Angeles, CA, A Romantic Measure_______


2010

François Ghebaly Gallery, Los Angeles, CA, Perform! Now!

LAND (Los Angeles Nomadic Division), Los Angeles, CA, The Secret (Still) Knows

David Castillo Gallery, Miami, FL, Chained to a Creature of a Different Kingdom

LAND (Los Angeles Nomadic Division), Austin, TX, The Secret Knows

Contemporary Arts Forum, Santa Barbara, CA, FAST-FORWARD: A Screening of
Contemporary American Video Art


2009

China Art Objects Galleries, Los Angeles, CA, Extra Extra


2007

Carpenter Center for the Visual Arts, Sert Gallery, Cambridge, MA, Existencia: Modes of the
Body
: Teresa Margolles Mark Verabioff Lawrence Weiner (curated by Dmitry Mironenko)

LACE (Los Angeles Contemporary Exhibitions), Los Angeles, CA, ARTSLUT VIDEO


2006

New Langton Arts, SF Camerawork, San Francisco, CA, the backroom L.A. (curated by Magali
Arriola, Kate Fowle, Renaud Proch)

Lizabeth Oliveria Gallery, Los Angeles, CA, Brave New World


2005

Artists Space, New York, NY, Log Cabin


2004

e-flux, New York, NY; Fondazione Giuliani per l'arte contemporanea, Rome, Italy; The
Mücsarnok, Budapest, Hungary; Fundação Calouste Gulbenkian, Lisbon, Portugal; Salón
Nacional de Artista, El Salóns, Cali, Columbia; 9e Biennale de Lyon, Lyon, France; Extra City,
Antwerp, Belgium; KW Institute for Contemporary Art, Berlin, Germany; Portikus, Frankfurt am
Main, Germany; The Moore Space, Miami, FL, e-flux Video Rental (selected by Lauri
Firstenberg)


1997

Mount Saint Vincent University Art Gallery, Halifax, Canada, Queer Looking Queer Acting:
Lesbian and Gay Vernacular
(curated by Robin Metcalfe, Jim McSwain)


1995

Centro Cultural Ricardo Rojas, Buenos Aires, Argentina, Maricons: Un Comunicado de América
del Norte
(curated by Bill Arning)


1993

Andrea Rosen Gallery, New York, NY, Sign-Up Performances

Centre Regional d’Art Contemporain, Nantes, France, Tattoo Collection


1992

Andrea Rosen Gallery, New York, NY, Tattoo Collection

Akademie der Künste, Berlin, Germany, 42.Internationale Filmfestspiele Berlin

White Columns, New York, NY, Performance (behind the curtain)

Wonder Bar, New York, NY, East Village Video


1990

Andrea Rosen Gallery, New York, NY, Video Library


1989

Collective for Living Cinema, New York, NY, How Do I Look? (curated by Bill Horrigan, Martha
Gever)

Center for Contemporary Art, Ujazdowski Castle, Warsaw, Poland; The Mücsarnok, Budapest,
Hungary; Canada House, London, UK, Aurora Borealis: Canadian Video Art


1988

The Kitchen, New York, NY, New-Erotic Video

The New Museum of Contemporary Art, New York, NY, Nitelife: Three Evenings of
Experimental Performance
(curated by William Olander, Russell Ferguson)

Artists Space, New York, NY, Other Versions (Perversions) (curated by Dan Walworth)

Directors Guild of America, West Hollywood, CA, 6th Annual Los Angeles International Gay &
Lesbian Film & Video Festival


1987

The Western Front, Vancouver, Canada, Visual Evidence (curated by Sara Diamond, Karen
Knights)

American Film Institute, Los Angeles, CA, Only Human: Sex, Gender, and Other
Misrepresentations
(curated by Bill Horrigan, B. Ruby Rich)

London Filmmakers Co-op, London, UK; The 10th Tyneside Festival, Newcastle-Upon- Tyne,
UK; Canada House, London, UK; The National Film Theatre, London, UK, Underground
Canada
(curated by Richard Fung)


1986

Videonale.2 Bonn, West Germany

Walter Phillips Gallery, Banff, Canada, Poetic Signals (curated by Daina Augaitis, Manon
Blanchette)

Cinéma Québécois, Montreal, Québéc, 15th Festival International du Nouveau Cinéma et de la
Vidéo Montréal


1985

Museum Ludwig, Cologne, West Germany, Video Kanada (curated by Jeanette Reinhardt)

SAW Gallery, Ottawa, Canada, Exhibition of Canadian Video Art

Artists’ Centre d Artistes (galerie 101), Ottawa, Canada, Images of Sexuality


1984

AIR Gallery, London, UK, British/Canadian Video Exchange (curated by Jane Wright, Jeremy
Welsh)

A Space, Toronto, Canada, Wendy Geller Jan Peacock Mark Verabioff


1983

Centre for Art Tapes, Halifax, NS, Screening/Performance



Selected Bibliography:

2020

Harris, Jane Ursula, “The Specter of What’s to Come: Mark Verabioff’s FORSAKEN STATES”
M. LeBlanc , Chicago, September.

Moffett, Evan, "Circus of Books and the Lost Pleasures of Print Pornography" Frieze, May 8.


2019

Hayden, Christie, "Mark Verabioff at team (bungalow)" Contemporary Art Review LA,
January 30.

Tilley, John Martin, “Poolside Drive-by” Office Magazine, January 31.

Verabioff, Mark "The Blackglama Insurgents" F Magazine : CELEBRITY, Issue 8, April/May.


2018

ARTNews.com, Pictures at an Exhibition: ‘Annunciations’ at M. LeBlanc, Chicago, August 3,
2018.

Neuman, Barry, “A Talk About “TEARS” At team (gallery, inc) with Mark Verabioff"
Whitehot Magazine, February.

Yerebakan, O.C., “ New York – Mark Verabioff: TEARS At team (gallery, inc) Through March
3rd, 2018” Art Observed, January 28th.

Tilley, John Martin, “Pronunciation Optional: TEARS at team (gallery, inc)” Office Magazine,
January 11.


2017

O'Connell, Brian; O’Dwyer, Deirdre; "Artist Project: Rakish Light Make-Readies"
X-TRA Contemporary Art Quarterly, Fall, Volume 20, Number 1.


2016

Berardini, Andrew, “a, the, though, only, Made In L.A. 2016” artagenda.com, July 22.

Buckley, Anne, “A Mediation on Contemporary Art: Made In L.A.: a, the, though, only”
Los Angeles Review of Books, August 3.

Costa, Jamie, "Field Notes: Made In L.A." theculturelist.org, June 17.

Czerwinski, Sarah, "Desirables: Made In L.A." csq.com

Delphine, "Feminist Reminiscence: A Retrospective of Female Artists Surrounding
Contemporary Artist’s Mark Verabioff’s: Marxism and Art: Beware of Fascist Broism"
https://lavantegardiste.wordpress.com, September 4.

Griffin, Jonathon, “Made In L.A.: a, the, though, only” Frieze, no.181, September.

Martens, Anne, "Labor of Love: Made In L.A." artillerymag.com, September 6.

Slenske, Michael, “Made In L.A.: Hammer Museum’s 2016 biennial explores history and myth”
Wallpaper, June 27.

Stromberg, Matt, “The Weird, Wondrous, and Worldly Art Visions of LA” Hyperallergic.com,
August 19.

Vankin, Deborah, “What is an L.A. Artist? Hammer Museum answers with its ‘Made In L.A.’
biennial lineup” The Los Angeles Times, January 19.

Verabioff, Mark, “Artist Project: Mark Verabioff” Canadian Art, Summer.


2012

Aguilar, Carlyn, “ALAC” Notes On Looking.com, February 2.

Tuck, Geoff, “A Romantic Measure_________ - a second accounting” Notes On Looking.com,
August 1.

Tuck, Geoff, “Out–rocking the big dogs” Notes On Looking.com, January 12.

Verabioff, Mark, “Margaret Trudeau” Night Papers II, p.8, Night Gallery, Los Angeles.


2010

Korek, Bettina, “Perform Now Festival: Interview with Francois Ghebaly” Huffingtonpost.com,
July 29.

Wise, Lloyd, “Keepers’ of the Fame” Artforum.com, February 8.



2009

Berardini, Andrew, “Roamin‘ Holiday” Artforum.com, December 24.

Berardini, Andrew, “Black Market” Artforum.com, July 18.


2008

Miller, Earl, “Global Canadians” C magazine, pp.12–20, cover, Fall, Issue 99.


2007

Berardini, Andrew, “Rise & Sprawl” Artforum.com, September.


2006

Aranda, Julieta; Vidokle, Anton, “e-flux video rental (EVR) Catalogue” Volume 1, electronic flux
corporation, New York, NY, Revolver Books, Frankfurt am Main, Germany.

Firstenberg, Lauri, “the backroom” Frieze, Issue 96, p.159, January – February.

Knight, Christopher, “Around The Galleries: Brave New World” The Los Angeles Times, p.E27,
July 21.

Montreuil, Gregory, “Cabin Fever” Gay City News, Volume 4, #8.

Waugh, Thomas, “The romance of transgression in Canada: queering sexualities, nations,
cinemas” McGill-Queen’s University Press (MQUP).

Welchman, John C., Editor, “Institutional Critique and after" JRP/Rinigier.


2005

Cotter, Holland, “Log Cabin” The New York Times, p.39, January 28.



Public Collections:

Hammer Museum, Los Angeles, CA

The Oakland Museum of California, Oakland, CA

Eileen Harris Norton Foundation, Santa Monica, CA

Los Angeles Contemporary Archive (LACA), Los Angeles, CA



Public Video Collections:

LUX Collection, London, UK

Centre For Art Tapes, Halifax, Canada

NSCAD University, Halifax, Canada

VIVO Media Centre, Vancouver, Canada

V/tape, Toronto, Canada

Museum of Contemporary Art Metelkova | +MSUM, Ljubljana, Slovenia



Selected Awards:

2020

Relief Fund for L.A. County Visual Artists, The Getty Foundation


2018

Pollock-Krasner Foundation Grant


1999

Canada Council for the Arts, Research Creation Grant